“Imaginary Landscape No. 4 (March No. 2)” is for twelve radios. Two performers are stationed at each radio, one dialling while the other controls amplitude and timbre. Again, durations are conventionally notated, but Cage used the I-Ching to create charts. Half of the fields in those charts denote silences, and fewer still call for any change in dynamics. Each of the two versions offered here concocts a melange/montage from snippets of audio broadcast history snatched from the ether. It would make an interesting project to record a version in every major capital city on the same day each year, to take the pulse of the times. There’s everything in here from Herbie Hancock’s “Rockit” to Dusty Springfield’s “I Only Wanna Be with You” and much else besides, much of it seemingly from the furthest-flung reaches of broadcastable sound.

Die Computeranimation Anima 10 (Bettina Munk 2012) spielt mit dem Zufallsprinzip.


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